Pennsylvania Classical Guitarist, Jay Steveskey, Performs The Works Of A Spanish Composer And Mexican Composers At Two Recent Venues
Mr. Speaker, with a resemblance to Sir Paul McCartney, the persona of a John Denver, and the soul of guitarist John Williams, local classical guitarist Jay Steveskey is a study in contradictions--engaging yet nonchalant, ready-to-do-battle…
Mr. Speaker, with a resemblance to Sir Paul McCartney, the persona of a John Denver, and the soul of guitarist John Williams, local classical guitarist Jay Steveskey is a study in contradictions--engaging yet nonchalant, ready-to-do-battle yet laid back, fanciful yet down-to-earth, personable yet aloof, worldly yet parochial, busy yet relaxed. At a recent concert at Covenant Presbyterian Church in Scranton in which he shared the stage with the well-heeled flutist Ed Wargo, Jay Steveskey performed a special guitar solo of Francisco Tarrega's ``Recuerdos de la Alhambra.'' Translated as ``Memories of Alhambra,'' a famous palace in Granada, Spain, the romantic-era piece is by far Tarrega's most famous work and is considered a study in the art of the tremolo.
Steveskey's rendering of this work was both touching and gripping with tremolos as heartfelt and bittersweet as a lovesick teenager. The rise and fall of the melodic line was produced fine and evenly to the point of exquisite perfection. His technique was masterful in the tradition of Segovia, who considered this piece to be one of his personal favorites of the solo guitar repertoire. Both Tarrega and Segovia must have been smiling down upon Steveskey with this elegant and finely impressionistic performance. Two weeks later, Steveskey was superbly at it once again, engagingly performing the music this time of Mexican composers at a special Cinco de Mayo concert at the Dietrich Theater in Tunkhannock. A study of sorts in Mexican folk music, the program began with a Mexican piece by Agustin Lara about the Spanish city of Granada and ended with Five Sketches of Mexico by Julio Cesar Oliva. In between was the music of Manuel Ponce and Ernesto Garcia de Leon. Steveskey's musicality had the ring of authenticity and was quite dolce at various times throughout the program. The ``Seis Preludios Cortos'' written by Manuel Ponce at the end of his life for the children of a fellow composer was brooding and urgent as if the composer had a longing for Death. The ``Sonatina Meridional'' also by Manuel Ponce was the last piece written for his old friend, Andres Segovia, to whom he dedicated much of his career. The contemporary sketches of Mexico by Oliva were part of a set of twenty such impressionistic sketches with Steveskey performing two sets of five, for Cinco de Mayo. In keeping with the Cinco de Mayo theme of the program, Steveskey also performed the modernistic ``Cinco Bosquejos'' by Ernesto Garcia de Leon. Other brief pieces by Ponce such as ``Estrellita,'' ``Scherzino Mexicano,'' and ``La Pajarera'' rounded out the charmed performance.
Steveskey's nuanced sound was so honest and pure and full of lyricism that it could bring a grown hombre to tears. His overall performance was quite strong and very straightforward yet strewn with subtle touches here and there. His encore after the all-Mexican program was a well-known Mexican tune called ``Maria Elena.'' As the words to the poetic song ``Granada'' go: ``Granada, land of my dreams, mine becomes a gypsy song when I sing to you,'' Jay Steveskey has managed to capture the wayward and sensual soul of the Spanish-speaking people.