Madam Speaker, I move to suspend the rules and pass the bill (H.R. 2090) to designate the facility of the United States Postal Service located at 431 State Street in Ogdensburg, New York, as the…
Madam Speaker, I move to suspend the rules and pass the bill (H.R. 2090) to designate the facility of the United States Postal Service located at 431 State Street in Ogdensburg, New York, as the ``Frederic Remington Post Office Building''.
Madam Speaker, I ask unanimous consent that all Members may have 5 legislative days within which to revise and extend their remarks.
I yield myself such time as I may consume.
Madam Speaker, I am pleased to present H.R. 2090 for consideration. This legislation will designate the United States postal facility located at
431 State Street in Ogdensburg, New York, as the Frederic Remington Post Office Building introduced on April 23, 2009, by the Republican vice chair of my subcommittee--and the recently nominated Secretary of Army--Mr. McHugh of New York. H.R. 2090 was reported out of the Oversight Committee by unanimous consent on May 6, 2009. I'm also pleased to report that this legislation enjoys strong support from the New York House delegation.
A long-time resident of the City of Ogdensburg in St. Lawrence County, New York, Frederic Remington was a renowned 19th century painter, illustrator, sculptor and writer who specialized--and I think in many people's minds really captured the essence and legend of the American West.
Born on October 4, 1861, in Canton, New York, Frederic Sackrider Remington moved to Ogdensburg, New York, in 1873 and attended the Yale College School of Art before soon heeding the call to go west.
Remington's early travels through America's new frontier in the late 1800s provided him with the unique opportunity to observe scenes that he had imagined since his childhood and gained an authentic view on America's west that would later translate into his unparalleled and inspirational depictions of frontier life.
Harper's Weekly published Remington's first commercial illustration in 1882 and Remington soon began to receive a steady flow of commissioned work from additional publications, including Collier's, that were searching for authenticity in Western themes. Remington's first full cover appeared in Harper's in 1886 when he was only 25 years old. And in 1887, Remington received a highly regarded commission for 83 illustrations for a book by Theodore Roosevelt entitled ``Ranch Life and the Hunting Trail.'' This latter assignment provided a significant boost to Remington's career and marked the beginning of a lifelong bond between the artist and Roosevelt.
Despite his success as a magazine and book illustrator, Remington was focused on further developing his artistic abilities; and in the mid- 1880s and 1890s, he turned his attention to water and full-color oil painting as well as sculpture. In order to retain the authenticity of his work, Remington embarked on annual trips to the West and even created a Western environment in his New York studio by surrounding himself with objects collected from his various travels.
In noted paintings, such as the ``Return of the Blackfoot War Party'' and ``Mule Train Crossing the Sierras,'' and ``A Dash For the Timber,'' Remington continued to evidence a unique ability to handle complex compositions and realistically capture the sweeping landscapes, heroic figures and moments of danger and conflicts which came to epitomize the American West. In 1888, Remington even achieved the honor of having two of his paintings used for reproduction on United States postal stamps.
In the mid-1890s, Remington quickly mastered a new medium and became immersed in sculpture. Similar to his previous illustrations and paintings, well-known Remington bronzes such as ``The Broncho Buster'' and ``The Cheyenne'' were highly regarded for their detail, movement, energy, and overall realism. Notably, Remington's piece ``The Broncho Buster,'' was presented to Theodore Roosevelt following the Rough Riders' return from the Spanish-American War, an honor that Remington deemed the ``greatest compliment I ever had.''
Regrettably, Frederic Remington died on December 26, 1909, at the young age of 48 and at the height of his profession. Nevertheless, he was able to produce over 3,000 drawings and paintings, 22 bronze sculptures, over 100 articles and stories, and even a novel and a Broadway play over the course of a career that inspired the American imagination and immortalized the Western experience.
Madam Speaker, let us honor the great 19th century artist, Mr. Frederic Remington, through the passage of this legislation to designate the Ogdensburg post office in his honor. I urge my colleagues to join me in supporting H.R. 2090.
I reserve the balance of our time.
Madam Speaker, we have no further speakers at this moment. I continue to reserve.
Madam Speaker, I continue to reserve.
Madam Speaker, again, I would like to bring the discussion back to the matter at hand which is the dedication of this post office in Ogdensburg, New York, in memory of Frederic Remington.
I think it's especially notable that people would take away from the honor that's trying to be bestowed here by a Republican colleague and, you know, a nominee for Secretary of the Army. Mr. McHugh asked that we take a moment and designate this post office in memory of one of New York's most renowned citizens and someone who has provided great service to this country in his artistic work in capturing an era of our country that is enormously important to all of us.
And I know a lot of people out there must be very confused. What does the French use of nuclear power have to do with the post office being named on behalf of Frederic Remington? And there is no connection.
There is no connection. There is a denigration going on here, a discourtesy, I think, to Mr. McHugh, a discourtesy to the people of New York by the Republican Party, and taking this moment of recognition away from Mr. Remington and his memory, away from Mr. McHugh and the object of his legislation, to spout on about issues that can be spouted on about at different times and more appropriate times. We do not have to have either discussion of one issue at the cost of reducing the respect and courtesy that are due to Members and particular initiatives that they put forward that they deem important to their districts and to the people that they represent.
I will not do that. I will not go on about cap-and-trade. I will wait for the debate on cap-and-trade. I will not go on about whether I think the French are doing the right thing with nuclear power and the disposal of their waste. I'll wait on that. There will be appropriate times to discuss that.
What we're here about today in this bill is recognizing Frederic Remington for what he provided for in this country in his brief time on this Earth and in a way that is consistent with the wishes of the sponsor of this legislation, the Republican gentleman from New York (Mr. McHugh) who deserves our respect.
And with that, I urge all my Members to join with Congressman McHugh, the nominee for the Secretary of the Army, a good choice in my opinion, and support this measure unanimously.
I yield back the balance of our time.