Madam Speaker, today we mourn the loss of Ernie Barnes, an athlete, artist and North Carolina native. As a child, Mr. Barnes would accompany his mother to work, where she oversaw a prominent attorney's household staff in a home where he…
Madam Speaker, today we mourn the loss of Ernie Barnes, an athlete, artist and North Carolina native.
As a child, Mr. Barnes would accompany his mother to work, where she oversaw a prominent attorney's household staff in a home where he was captivated by the extensive collection of art books available to him. It was the start of a lifelong love of art.
As a junior high school student, Mr. Barnes was overweight and introverted. He spent his time drawing and hiding from the taunting bullies. A sympathetic teacher helped steer him into a weightlifting program, which enabled him to excel in both football and track and field once he got to high school.
Because of segregation, he was unable to consider nearby University of North Carolina or Duke University, and instead attended my alma mater, North Carolina Central University--then known as North Carolina College--on a football scholarship and majored in art.
Mr. Barnes was drafted in by the Washington Redskins, who, upon discovering he was Black, traded him to the then-world champion Baltimore Colts. He later played offensive lineman for the San Diego Chargers and Denver Broncos.
While on the playing field, Mr. Barnes said he was studying the human form and developing an eye for capturing the drama of sports. Each week he would sketch the defensive lineman who would be across from him in that Sunday's game.
``The drawings would help me understand the man I would be facing,'' he said in an interview.
Mr. Barnes' work relied on elongation and distortion to create a sense of energy, power, grace, intensity, and fluidity. His art also features people with their closed eyes, reflecting his sense, as he once expressed it, ``we are blind to one another's humanity.''
He was commissioned by the Los Angeles Olympic Committee to provide paintings for the Games and by the National Basketball Association to commemorate its 50th anniversary. He was also commissioned to provide paintings by the owners of the Los Angeles Lakers, New Orleans Saints, Oakland Raiders, and the Boston Patriots. Carolina Panthers owner Jerry Richardson, a teammate with the Baltimore Colts, commissioned Mr. Barnes to create the painting, ``Victory in Overtime,'' that permanently hangs at the Charlotte football stadium.
Mr. Barnes' ability to capture the powerful energy and movement of sports earned him ``America's Best Painter of Sports'' by the American Sports Art Museum in 2004.
In 2007, in a New York tribute exhibition sponsored by the National Football League and Time Warner, Time Warner Chairman and CEO Richard D. Parsons said, ``Imagine the courage and determination it took for a working class child from the segregated south in the 1940s to ignore all the naysayers and dare dream of becoming a successful artist.''
Mr. Barnes's work embodied his strong personal beliefs and spirit, crossing political, racial, and geographic boundaries.
Madam Speaker, I ask that my colleagues join me in observing the passing of a great American and one of the Nation's foremost African American artists. We are blessed that Mr. Barnes helped raise our collective consciousness and encouraged everyone to see the gifts and strengths in one another. We mourn his loss, celebrate his achievements, and send our deepest condolences to his family.