Mr. Speaker, I yield myself 6 minutes. Mr. Speaker, I rise in support of S. 167, and I ask my colleagues to join me in voting to pass this worthy legislation. Prior to reporting S. 167 by voice vote last month, the Committee on the…
Mr. Speaker, I yield myself 6 minutes.
Mr. Speaker, I rise in support of S. 167, and I ask my colleagues to join me in voting to pass this worthy legislation.
Prior to reporting S. 167 by voice vote last month, the Committee on the Judiciary gave the bill all due deliberation. The provisions in this bill and its precursor, H.R. 4077, which passed the House last year, were the subject of multiple subcommittee hearings and markups.
Through the extensive consideration given on the provisions of S. 167, the Committee on the Judiciary has agreed to a bill that makes important contributions to the fight against the proliferation of pirated copyrighted works and that encourages the preservation and protection of creative content.
In addition to providing us with entertainment and education in the form of movies, sound recordings, software, books, computer games and other products, the core copyright industries account for over 6 percent of U.S. gross domestic product. Businesses that rely on copyright employ more than 11 million U.S. workers. Robust protection for creativity supports everyone from the most famous artist to the completely unknown set designer.
Unfortunately, copyright piracy has become a grave threat to the livelihoods of all copyright creators. We live in an environment where consumers want their choice of entertainment to be available at any time, in any place, in any format. While copyright owners are excited by the new opportunities to allow greater access to their works, they must battle with those that give away their products for free.
Pirates have taken over the ship of distribution and now provide users with sound recordings before they are released, copies of movies for $1 on the street, and pirated computer software as part of the sale of computers. Without adequate copyright protection, the developers and creators of new and original works have no protection from the rampant theft of their work that goes on every day. While not a magic bullet, S. 167 will play a valuable role in addressing the piracy problem. Last year's bill provided more expansive protection. However, S. 167 contains important disincentives to the making of unauthorized use of a copyrighted work. It isolates a number of areas necessary to preserve the integrity of the works.
It has become clear that pirates are most harmful when a creator delivers a new or highly anticipated product. Title I of S. 167 is designed to prevent the pirates from obtaining an initial copy of a motion picture through camcording or distributing by computer network a work being prepared for commercial distribution. Section 102 clarifies that it is a felony to surreptitiously record a movie in a theater. This section deals with the growing phenomenon of copyright thieves who use portable digital video recorders to record movies of theater screens during public exhibitions. Organized piracy rings then distribute copies of these surreptitious recordings both online and on the streets.
This section also provides immunity for a movie theater owner who detains
a person who is camcording the movie. It also allows those affected by the crime to file a victim impact statement to illustrate the loss accrued by the piracy. This, hopefully, will deter those who contribute to the ease with which pirated material is obtained.
Even more detrimental to copyright owners than camcording a movie in the theaters is the effect of distributing an unauthorized copy of a movie or sound recording as it is prepared for commercial distribution. Distributing a film before final edits are made can undermine artistic integrity and can also harm the film's commercial prospects because the release is typically coordinated with a marketing effort. Sections 103 and 104 provide for enhanced penalties for prerelease of a work being prepared for commercial distribution. Furthermore, it requires the Copyright Office to establish rules for preregistration of works. We need to address the problems generated when new works are leaked and pirated before they are made available for sale, the prerelease problem.
For example, today, any basement can become a top-of-the-line recording studio, so the law and Copyright Office regulations must reflect the realities of the fast-paced creative entertainment businesses. Unauthorized prereleases are unfair to an artist because his or her song is circulating even before it is in its final form. Just as we edit letters and speeches, we must allow songwriters to tweak and refine their works. They deserve to have the tools to penalize those who thrive on the ability to leak a song or CD before it is available in stores or other legitimate avenues of commerce.
This bill also addresses consumer concerns related to preserving content in orphan works, those works not available in the marketplace at a reasonable price. In section 402 of the bill, we have amended the Copyright Act to enable libraries and archives to reproduce, distribute, perform, and display all orphan works in the course of their preservation, scholarly and research activities.
Furthermore, sections 302 and 312 ensure that the National Film Preservation Board and the National Film Preservation Foundation are reauthorized. These groups help maintain our history of film, which helps foster the creative process.
Title III of S. 167 did generate some concern during the hearings held by the Committee on the Judiciary because it resolves a legal question at the heart of a pending Federal litigation. The Family Movie Act inappropriately intervenes in this pending legislation, shields one specific company from liability for altering the viewed performance.
Directors should have the ability to control the content they create. Although I personally oppose this section, I, like many Members of the Committee on the Judiciary, believe that the bulk of the anti-piracy provisions contained in S. 167 are essential and therefore support the bill as a whole.
The provisions included in S. 167 are derived from a more expansive bill passed by the House last year, H.R. 4077, which contained multiple sections designed to give additional resources statutory authority and incentives to law enforcement authorities to make them productive participants in the anti-piracy battle.
There were also several provisions addressing the problem of copyright infringing files being illegally offered for distribution through peer-to-peer file-swapping networks. I urge the committee and my colleagues to include these provisions in future legislation.
It is worth noting that, while not universally embraced, S. 167 has gained widespread consensus support. Groups as diverse as the Video Software Dealers Association, the American Association of Law Libraries, and the American Medical Association have written in support. On balance, S. 167 is an important advancement in the ongoing effort to battle copyright piracy, and I encourage my colleagues to join me in supporting it.
Mr. Speaker, I reserve the balance of my time.
Mr. Speaker, I am pleased to yield 5 minutes to my colleague, the gentlewoman from California (Ms. Watson), the founder and chair of the Congressional Entertainment Caucus, and a very diligent fighter for the protection of intellectual property and the vibrancy of an industry very important to our area and to the country.
Mr. Speaker, I yield myself 2 minutes.
Mr. Speaker, my better judgment notwithstanding, the arguments on this one aspect of the bill on which the majority and I disagree requires me to make just a couple of points.
There is no one who thinks parents do not have and should not have the right to skip over, pass up or omit scenes of any video production they think are inappropriate for their children to see. No one debates that. No one debates they have the right to do that.
What some of us do debate is the right of a commercial enterprise to peddle a technology which fundamentally alters the creator's work any more than some publisher has the right to take an unabridged version of a book that is under copyright, in order to excerpt and take out objectionable patches of that book, and then make a commercial profit without the permission of the copyright owner in peddling that book. That is the issue underlying our opposition to the Family Movie Act.
Parents should have all of these rights, including the right to just say ``no'' to their kids watching a movie or reading a book that is not appropriate. There is no dispute about that. This is a dispute about a particular type of technology that this bill seeks to immunize from liability for employing some young people to decide what someone else should see and not see. But I will not get myself too worked up about a bill that I plan to actively support.
Mr. Speaker, I yield back the balance of my time.