Mr. Speaker, today, we honor the selfless life of Bishop Carlton Pearson who passed away last November at the age of 70. Bishop Carlton Pearson was an evangelist, ministry leader, author, and award- winning singer. He was raised in San…
Mr. Speaker, today, we honor the selfless life of Bishop Carlton Pearson who passed away last November at the age of 70. Bishop Carlton Pearson was an evangelist, ministry leader, author, and award- winning singer. He was raised in San Diego, California with five siblings. He is survived by them, his wife, and his two children.
An expert in many crafts, his congregation often praised his diverse passions and the limitless communities impacted by his work. He preached what he called a gospel of inclusion. He saw all human life as an integral part of a broader community. He was welcomed in Synagogues, Islamic groups, Atheist and Agnostic organizations, and a variety of other spiritual communities. He felt a mandate to strive for peace through an emphasis on inclusion in spirituality and interfaith fellowship.
I commend him again today and emphasize his teaching that we don't have to go along to get along. That we can mind many of the same things without necessarily having the same mind about everything. We honor the life of Bishop Carlton Pearson, the legacy he left won't be soon forgotten. I include in the Record this Rolling Stone Magazine memoriam about how he has inspired generations to come.
How Bishop Carlton Pearson Inspired a Generation of Singers and Gospel
Artists
(By Meagan Jordan)
Bishop Carlton Pearson, a renowned preacher, singer and
composer, known for his Live At Azusa albums, died on
November 19 after a battle with cancer in Tulsa, Oklahoma.
His theology, known as the ``gospel of inclusion,''
preached against homophobia and embraced the LGBTQ community,
but cost him his congregation and approval within the
evangelical community. However, his message of inclusion and
his denial of hell has become a model, and his impact in
gospel music continues to inspire new generations of artists.
``He has an album of hymns that people would sing in the
Black church for communion like `I Know it Was The Blood,' or
his version of `Precious Memories.' gospel artist and former
Destiny's Child member Michelle Williams tells Rolling Stone,
referring to Pearson's Live At Azusa 2: Precious Memories
album from 1997. ``He amplified those songs and made them
mainstream for church.''
Pearson was born and raised in San Diego, California, where
his father and grandfather were preacher men in a storefront
``heaven or hell'' Pentecostal church. After graduating high
school, he attended Oral Roberts University, an evangelical
Christian University, where Oral Roberts, a white preacher
who had the leading religious television broadcast in the
Seventies, was the school's founder. Roberts mentored Pearson
as he navigated the ministerial realm.
Pearson left the school before graduating in 1977, starting
his own church, Higher Dimensions. With over 6,000 members,
it would make him one of the first Black mega church pastors,
bringing Black churches into a mainstream space in the
Nineties and 2000s.
``In the Seventies, here in the West, the church was on a
decline,'' says Larry Reid, a pastor, media personality and
friend to Pearson. ``You had evangelistic campaigns all over
the U.S., but it was fading away and Black people were not
leading it. We were the musicians and the singers. But
Carlton Pearson created a stage called Azusa and brought
Black Christians in and the white stations would play clips
from his platform.''
Pearson's Azusa Conferences, which were inspired by the
1906 revival that took place on Azusa Street in Los Angeles,
were a hybrid of preaching and music. It gave preachers, like
Joyce Meyers, Michael Pitts, Bishop T.D. Jakes, and gospel
heavyweights, such as Donnie Mcclurkin, the Clark Sisters,
and the late Lashun Pace, agency and a platform to showcase
their talents and introduce them to a wider audience of
people. The conference, which was held at Pearson's old
university, Oral Roberts, would host thousands of guests. For
those who could not attend, they were taped and sold via VHS,
which gave way to many successful careers in television
ministry and gospel music.
``I had always known his music for many years before I
became an artist,'' says Ricky Dillard, a renowned gospel
artist and composer, known for his choirs and directorial
abilities. ``He had a choir with him and that was influential
to me. He was out here doing it at an A-1 level, so everyone
was a fan. If you're a gospel music lover, there's no way
that you could not have heard the music of Bishop Carlton
Pearson.''
Pearson's album The Best of Azusa. . . Yet Holdin' On is a
staple in the Black community. On the 14-track album,
featuring songs from his Azusa conference days, he has
an oratory track called ``Mother Sherman Story,'' in which
he recounts a question an elderly mother from his home
church would ask him, even as dementia began to set in:
``You yet holding on?''--The album's title.
``That meant many things,'' explains Williams. ``It meant
keep holding on to your faith and also meant keep holding on
to your morals and your standards.''
In the late Nineties, Pearson--who not only studied his
bible but also studied its roots, foundations, and original
language of Hebrew--came to a realization that would shake
the foundation of his faith and his social standing within
the church.
``When my little girl was an infant, I was watching the
evening news and the Hutus and the Tutsis were returning to
Rwanda from Uganda,?'' Pearson recalled on an episode of This
American Life from December 2005. ``I'm watching these little
kids with swollen bellies, their skin is stretched. . . Their
hair is kind of red from malnutrition and they have flies on
the corner of their eyes and mouths.''
Pearson thought of his baby, who is now 27 year-old Majeste
Pearson--a pop and gospel singer--and his big screen
television and the plate of food he was in the middle of
eating. Knowing the culture of the people on the screen and
assuming they were not all Christian, he said, ``God, I don't
know how you can call yourself a loving, sovereign God and
allow these people to suffer this way and just suck them
right into hell.'' Pearson heard a voice saying ``Can't you
see they're already there? That's hell. You keep creating
that for yourselves, I'm taking them into my presence.''
Pearson had a realization: ``We do that to ourselves and to
each other,'' he recalled in the podcast episode.
The next Sunday, he shared his revelation to his
congregation, urging them to stop
telling people that they weren't ``saved.'' Instead, he
wanted them to send a message that they were ``safe with
God.''
But this new theology of inclusion and universalism marked
his downfall within the evangelical mainstream. Congregants
left the church. Preachers like T.D. Jakes spoke out against
him; Jakes told Charisma Magazine, a popular Christian
publication, that Pearson was wrong and had incorrectly
interpreted the Bible. Many churches and leaders turned their
backs on him. He lost his church, both its members and the
building. He was banned from hosting the Azusa conference at
the Oral Roberts institution and Roberts, his former mentor,
remained silent. At the time, Pearson was also running for
the Mayor of Tulsa, the city with the worst race riot in 1922
known as the Black Wall Street massacre. He lost.
``I told Carlton that if he told them he believed there was
no such thing as hell and damnation, he will reduce this
weapon of fear based religion, which is the foundation of
religious institutions money,'' said Bishop Yvette Flunder, a
friend of Pearson and a same gender loving preacher and
singer who sung with The Hawkins Family. ``His colleagues and
the College of Bishops that he was a part of put him on blast
and said he was a heretic and excommunicated him.''
Charisma Magazine didn't let the issue rest. According to
Reid, they wrote about Pearson for two years, demonizing his
theology and teachings.
``He was deeply hurt and felt betrayed,'' his children
Majeste and Julian Pearson wrote in an email to Rolling
Stone. But Pearson stood by his beliefs. ``He internalized a
lot of it, resulting in him becoming physically sick. Around
that time, he had his first bout with cancer. We were nine
and 11 when we knew it was our last service.''
While no longer popular in the mainstream church, Pearson's
ministry continued through his church New Dimensions, where
he preached against homophobia and embraced the LGBTQ
community as members. He challenged scriptures used to
demonize and oppress their existence. He also authored books
like The Gospel of Inclusion and God Is Not a Christian, Nor
a Jew, Muslim, Hindu. . . . : God Dwells with Us, in Us,
Around Us, as Us. He also was a minister to many in person.
``Bishop Pearson's ministry was a mirror for me,'' says
Dillard. Back in 2005, Dillard had met Pearson leaving an
event and felt inclined to give him a ride back to Atlanta.
``Something very powerful happened in our moment together.
I was seeking God in a different way and I had come up with
translations that I needed confirmation from. I felt low in
spirit that I was not meeting the standards of the Word of
God. Bishop said something to me that changed my life that
day. He said `As others have judged you, you have now taken
on their judgment and you are judging yourself.' It spoke to
my heart.''