Mrs. BOXER. Madam President, one of our great American composers, Lou Harrison, died recently at the age of 85. Mr. Harrison lived most of his life, including the last 50 years, in California. He taught at a number of universities and had…
Mrs. BOXER. Madam President, one of our great American composers, Lou Harrison, died recently at the age of 85. Mr. Harrison lived most of his life, including the last 50 years, in California. He taught at a number of universities and had been honored in many ways in recent years, including by a festival of his music at the San Francisco Conservatory of Music. He was en route to another festival of his music, sponsored by Ohio State University and the Columbus Symphony Orchestra, when he died. The San Francisco Chronicle recently published a thoughtful obituary written by its chief classical music critic, Joshua Kosman. I would like to print it in the Record in honor of this great man and his rich legacy.
The obituary follows:
Composer Lou Harrison, who delighted Bay Area audiences for
decades with his tuneful, spangly music as well as his
exuberantly generous personality, died of a heart attack
Sunday night in Lafayette, Ind. He was 85.
Mr. Harrison, a resident of Aptos (Santa Cruz County) since
1953, was on his way to Columbus, Ohio, for a weeklong
festival of his music sponsored by the Columbus Symphony
Orchestra and Ohio State University. According to Professor
Donald Harris, Mr. Harrison, who disliked flying, was being
transported in a university van from the Chicago train
station to Columbus on Sunday night. The van had stopped at a
roadside diner when he was stricken. He died at a local
hospital shortly afterward.
``He was just such a great friend to music, to our planet
and to everybody,'' said San Francisco Symphony music
director Michael Tilson Thomas, an advocate who commissioned
an orchestral piece from Mr. Harrison to inaugurate his first
concert season in 1995. ``We're going to miss him greatly.''
``This was an irreplaceable guy,'' said composer Charles
Amirkhanian, executive director of the Other Minds Festival,
which honored Mr. Harrison in 2000. ``The East Coast had
(Aaron) Copland, and we had Lou.''
unabashedly beautiful music
Spirited, rhythmically vibrant and unabashedly beautiful,
Mr. Harrison's music incorporated elements of Asian and
Western styles in a highly personal synthesis. He had a
fondness for the jangly, percussive sounds of Asian music,
and in addition to traditional instruments, his scores often
included such devices as flowerpots, porcelain rice bowls,
garbage cans and oxygen tanks.
Many of these instruments were built in collaboration with
his life partner William Colvig, who died in 2000. Together,
the two men created a large orchestra of idiosyncratic metal
percussion instruments for which Mr. Harrison wrote dozens of
pieces.
He wrote copiously in traditional Western forms as well,
including symphonies, operas, chamber and choral music.
What united all his music, though, was its essentially
melodic nature. Whether shaped by medieval French dance
rhythms, Javanese modes or Korean harmonies, melody always
was Mr. Harrison's primary building block.
``These are melodies that stick with you and are useful for
everyday life,'' Thomas said. ``There are tunes by Lou
Harrison that are ideal for walking up a steep ridge, and
some that are good for falling asleep in a hammock. He had
the gift for finding the tune that had the essence of a
particular experience.''
And in the face of orthodoxies favoring structural
integrity and fearless dissonance, Mr. Harrison was never
afraid to write music that celebrated beauty for its own
sake.
``He was one of the very first composers to bring back the
pleasure principle,'' said composer John Adams. ``For those
of us who came of age during the bad old days when rigor and
theory and the atomization of musical elements was so in
vogue, Lou provided a model of expressivity and sheer
beauty.''
Mr. Harrison also was the last living link to a tradition
of American experimental music that reached back to Charles
Ives--whose Third Symphony had its premiere in 1946 with Mr.
Harrison conducting--and included such influential figures as
Henry Cowell, Harry Partch and John Cage.
Lou Silver Harrison was born on May 14, 1917, in Portland,
Ore., and moved frequently as a child throughout the Pacific
Northwest and the Bay Area. By the time he graduated from
Burlingame High School in 1934, he said, he had attended 18
different schools, ``so I never really put down roots or had
a peer group.''
He studied music briefly at San Francisco State University,
then began private lessons with Cowell, who encouraged his
interest in world music and nontraditional instrumental
techniques. Cowell also introduced him to Cage, who would be
a lifelong friend and artistic collaborator.
After a brief stint at UCLA, where he enrolled in Arnold
Schoenberg's composition seminar, Mr. Harrison moved to New
York in 1943. There he wrote music criticism for the New York
Herald Tribune under the aegis of Virgil Thomson and edited
and premiered Ives' Third Symphony, which won the composer a
Pulitzer Prize.
But Mr. Harrison found New York life too stressful, and
after a two-year teaching engagement at Black Mountain
College in North Carolina, he settled in Aptos for good in
1953. In subsequent years, he taught at Stanford University,
San Jose State University, Cabrillo College and Mills
College. In 1963, he was one of the founders of the Cabrillo
Music Festival, which continues as an annual celebration of
new music.
His nearest survivors are his sister-in-law, Dorothy
Harrison, and two nephews. His body was cremated, but other
arrangements are incomplete.
In recent years, Mr. Harrison's music was a frequent
feature of San Francisco Symphony programs, with the composer
himself, in his trademark red flannel shirt and snow-white
beard, beaming from a loge box. In addition to ``A Parade for
M.T.T.,'' premiered in 1995, the Symphony has performed the
Third Symphony, the Canticle No. 3 and the Organ Concerto.
His music is amply represented on the San Francisco record
label New Albion.
In 1998, Barry Jekowsky and the California Symphony
released a disc of his music, including the Fourth Symphony
with jazz vocalist Al Jarreau as narrator.
Mr. Harrison's interests extended far beyond music. He was
a published poet and a painter, and as a young man had been a
dancer as well--a fact he enjoyed relating to audiences in
his later years, when his girth made the idea seem
incongruous.
committed to gay rights
He was committed to gay rights long before the subject was
common; his 1971 puppet opera ``Young Caesar'' focused on a
gay love affair of Julius Caesar's. He was an ardent pacifist
and political activist.
And he had more exotic passions as well--Esperanto, bio-
diesel, kenaf (a fiber related to the hibiscus that he touted
as an ecologically sound alternative to paper), calligraphy,
American Sign Language and especially straw-bale
construction. His straw-bale house in the Mojave Desert near
Joshua Tree National Park, completed last year, was a joyful
retreat in his final months.
That spirit of all-embracing receptivity and openness to
experience was evident everywhere in his music. As he once
told an interviewer, ``There are so many musics that I'm
attracted to. I'm fortunate that I laid out my toys on a very
large acreage when I was very young.''