Mr. Speaker, I rise today to pay tribute to a dear friend who spent his life trying to educate people about America's role in the world in an effort to make that world a better place. Saul Landau passed away last month at the age of 77…
Mr. Speaker, I rise today to pay tribute to a dear friend who spent his life trying to educate people about America's role in the world in an effort to make that world a better place.
Saul Landau passed away last month at the age of 77 after battling cancer for almost 2 years.
Saul was not only a very close friend of mine and my wife Cynthia's. He was a constant mentor, educator, and agitator. He was one of the smartest and hardest working people I have had the pleasure of knowing, and he was one of the funniest.
Saul will be remembered as an award winning documentary filmmaker, an author, an investigator and a columnist. Upon his death, his friends and colleagues and family were treated to a collection of obituaries across the country that paid tribute to his exhaustive body of work, his infectious personality, and his deep caring and passion for his country and the world around it.
I am including here for my colleagues' benefit just two of those remarkable pieces so that others may benefit from reading about this one man's extraordinary life.
To Saul's family, I extend my sincere condolences for their loss. But I offer to them as well a deep appreciation from the halls of Congress of the work and thought that Saul Landau contributed to our public debate.
One of the obituaries carries this quote from Saul. ``You want to do what you can while you're on this earth.'' Saul should rest easy knowing that he did that and more.
I will miss my friend.
Following are obituaries that appeared in the New York Times on September 11, 2013 and in the Los Angeles Times on September 13, 2013.
[From the New York Times, Sept. 11, 2013]
Saul Landau, Maker of Films With Leftist Edge, Dies at 77
(By Douglas Martin)
Saul Landau, a determinedly leftist documentary filmmaker
and writer whose passion for asking what he called ``the most
intrusive questions'' yielded penetrating cinematic profiles
of leaders like Fidel Castro and Salvador Allende, died on
Monday at his home in Alameda, Calif. He was 77.
The cause was bladder cancer, his daughter Julia Landau
said.
Mr. Landau aspired to marshal art and literature to
illuminate social and political problems, and his point of
view was almost always apparent. In the 1980s, he wrote
essays berating the administration of Ronald Reagan for
trying to depose the leftist government in Nicaragua, and
recently he urged the United States not to become involved in
Syria.
He said he saw no difference between documentary and
fictional films. In both, he said, a director manipulates
light and sound to put across a vision. ``One has to simulate
reality,'' he said in 2005 in an interview with The Capital
Times in Madison, Wis. ``The other one says, `Here's
reality,' whether it is or isn't.''
Mr. Landau emerged from the roiling New Left politics of
the 1960s to make more than 40 documentaries, including six
about Mr. Castro. One of them, ``Fidel,'' released in 1969,
was a rare intimate look at the Cuban leader. It shows him
arguing with a finger-wagging peasant woman, visiting his
nursery school and playing baseball and striking out.
``I found Fidel a sympathetic figure and a hell of a good
actor,'' Mr. Landau told The Washington Post in 1982.
His most acclaimed film was ``Paul Jacobs and the Nuclear
Gang,'' which he directed with Jack Willis in 1980. With
cinematography by Haskell Wexler, the documentary, broadcast
on PBS, told of the cover-up of health hazards from a 1957
nuclear-bomb test in Utah. The film won an Emmy Award and a
George Polk Award.
The title referred to Mr. Landau's friend Paul Jacobs, a
journalist who died of cancer--believed to have been caused
by radiation exposure--before the film was completed.
Other films by Mr. Landau portray poverty in big-city
slums, the destruction of indigenous Mexican culture, the
inner workings of the C.I.A., torture in Brazil and life
inside a San Francisco jail. Most have a leftist political
edge that some saw as propagandistic, but Mr. Landau
characterized the films as educational.
``All my films try to teach people without preaching too
hard,'' he said. ``I try not to be too tendentious.''
Mr. Landau released two films relating to Mr. Allende, the
Chilean who had become Latin America's first democratically
elected socialist president the year before. One was an
interview with Mr. Allende.
The other film, ``Que Hacer!'' (1970)--the title is a
translation of the title of Lenin's book ``What Is to Be
Done?''--is a fictional movie, a playful spy story with music
concerning a C.I.A. case officer in Chile. There are two
casts: a Chilean one directed by Raul Ruiz and an American
one directed by Mr. Landau and Nina Serrano, his wife at the
time. Country Joe McDonald performed and produced the music.
The film won awards at film festivals in Cannes, Venice and
Mannheim, Germany.
Orlando Letelier, Chile's ambassador to the United States,
invited Mr. Landau to screen it at the Chilean Embassy in
Washington, and they became friends. A few years later, Gen.
Augusto Pinochet overthrew the Allende government and
imprisoned Mr. Letelier.
Mr. Landau worked with other international supporters to
win Mr. Letelier's release and to arrange a job for him at
the Institute for Policy Studies, a left-wing research
organization in Washington Mr. Landau had joined in 1972. In
1976, Pinochet agents used a car bomb to kill Mr. Letelier
and another institute worker. In 1980, Mr. Landau and John
Dinges published a book about the case, ``Assassination on
Embassy Row,'' documenting the Pinochet government's ties to
the killings.
Mr. Landau was at least as prolific a writer as he was a
filmmaker. He wrote 14 books and thousands of newspaper and
magazine articles and reviews.
Saul Irwin Landau was born on Jan. 15, 1936, a few blocks
from Yankee Stadium in the Bronx, and grew up playing
stickball in the streets. His father was a pharmacist who had
fled pogroms in Ukraine to come to New York in 1920. His
mother was a teacher.
As a youth, Mr. Landau once abandoned school to hitchhike
across America. When he returned, his mother urged him to
take the test for the academically elite Stuyvesant High
School. He passed, and went on to perform brilliantly there.
The summer after he graduated, he met Ms. Serrano at a camp
in the Catskills, where he was the fry cook and she the drama
teacher. Ms. Serrano, who became a published poet, encouraged
his interest in leftist politics and a bohemian lifestyle,
according to their daughter Valerie Landau.
Ms. Serrano also accompanied Mr. Landau when he went to the
University of Wisconsin. When a dean found out that they were
living together, he threatened to expel Mr. Landau (Ms.
Serrano was not a student then) if they did not marry. They
did.
At Wisconsin, Mr. Landau got involved in a so-called Joe
Must Go club, which advocated the recall of Senator Joseph
McCarthy of Wisconsin over his demagogic attacks on people he
accused of being Communists.
After earning bachelor's and master's degrees in history at
Wisconsin, Mr. Landau became a researcher for C. Wright
Mills, the sociologist, traveling with him to Western Europe,
the Soviet Union and Cuba.
Moving to Northern California with Ms. Serrano, he worked
toward a doctorate at Stanford but did not complete the
studies. In San Francisco, they gravitated to the Beat poets
and the emerging New Left movement. Mr. Landau joined
Students for a Democratic Society and helped organize the
leftist magazines Ramparts and Mother Jones.
He also joined the San Francisco Mime Troupe, for which he
wrote, with R.G. Davis, a parody of a minstrel show, ``A
Minstrel Show, or Civil Rights in a Cracker Barrel.''
Performers in the show, which satirized racial perceptions,
appeared in blackface. The show traveled to New York and
elsewhere.
``Through the entire evening there is really nothing to
laugh at, no matter how funny it is,'' Richard F. Shepard
wrote in The New York Times. ``There is the ominous theme of
what hypocrisy and oppression breed.''
In 1966 Mr. Landau got a job as a reporter at KQED-TV, San
Francisco's public television station, and a year later went
to Cuba to make a news documentary. Mr. Castro liked it, and
invited Mr. Landau to return to do an in-depth documentary
about him. Mr. Landau's marriage to Ms. Serrano ended in
divorce. Besides his daughters Valerie and Julia, he is
survived by a son, Greg, and two other daughters, Carmen and
Marie; his second wife, Rebecca Switzer; a sister, Beryl
Landau; seven grandchildren; and four great-grandchildren.
``You want to do what you can while you're on this earth,''
Mr. Landau said in 2006. ``Otherwise the alternative is to go
shopping.''
This article has been revised to reflect the following
correction:
Correction: September 17, 2013
An obituary on Thursday about the documentary filmmaker
Saul Landau omitted a survivor. Besides his wife, children,
grandchildren and great-grandchildren, Mr. Landau is survived
by a sister, Beryl Landau.
This article has been revised to reflect the following
correction:
Correction: September 19, 2013
An obituary on Sept. 12 about the documentary filmmaker
Saul Landau omitted a writing credit for the San Francisco
Mime Troupe production ``A Minstrel Show, or Civil Rights in
a Cracker Barrel.'' It was written by Mr. Landau and R. G.
Davis, not solely by Mr. Landau.