Mr. Speaker, I was honored last month to attend the annual Nancy Hanks Lecture at the Kennedy Center, an annual tribute to the memory of the woman who served as the Chair of the National Endowment for the Arts from 1969 to 1977. Each year…
Mr. Speaker, I was honored last month to attend the annual Nancy Hanks Lecture at the Kennedy Center, an annual tribute to the memory of the woman who served as the Chair of the National Endowment for the Arts from 1969 to 1977. Each year a prominent American is asked to deliver personal remarks about the importance of the arts in public policy, and it was a great pleasure this year to hear from the accomplished actor, Robert Redford, who delivered a poignant, funny and meaningful address about the importance of supporting creativity and artistic development in our Nation. I am very pleased to bring his remarks to the attention of my colleagues in the House of Representatives.
Remarks of Robert Redford
I've been coming to Washington, D.C. for the past 30 years,
either filming here, as was the case in All the President's
Men, or for lobbying efforts on behalf of issues relating to
the environment, energy, human rights and art. In the
beginning, it was a heady experience to be in the halls of
power surrounded by history and event, feeling what it is
like to be an integral part of a democracy--particularly if
you were fortunate enough to move someone on an important
issue.
In time, you experience changes in political climates,
different attitudes and priorities. The strength of the
system that controls decisions and compromises became clear
over time, and expectations of success had to be tendered
with failure relating to these realities. But still, you feel
fortunate to have access to the ears that made decisions.
Even though you knew that celebrity was maybe a door
opener, it nonetheless cuts both ways in politics. Like the
time I was on the Presidential campaign trail and speaking to
thousands of kids on a college campus about the importance of
their vote and environmental issues. In the roar of their
connection with what I was saying, I thought for a moment
``I'm really getting through here!'' Then I walked off stage
and immediately a reporter stuck a microphone in my face and
said, ``Who do you think is better looking, you or Dan
Quayle?
So, just when you might be feeling your oats, reality has a
way of sneaking up and putting it all in perspective. But as
a citizen and an artist, I try to remember that it is a right
and a responsibility to be able to partake in the process of
democracy.
I'm here today because of my belief that art is a great
translator of that which is both familiar and unfamiliar and
that it is through art that we can come to know ourselves and
others. To me, the vitality and insight which art brings to
civil society is more important now than ever.
I grew up in a time when democracy was taken for granted
since it was drummed into our minds as a fundamental
definition of America and why it was great. I was shaped by
WW II and a time when we were all united in its purpose--
unlike conflicts of today. Because times were tough, and my
family financial resources slim, we didn't have fancy toys or
luxuries and had to be creative in inventing worlds of our
own. My imagination was my most valuable commodity and
thankfully it became a life force for me at a very young age.
I saw the world around me not only as it was. I saw the world
around me as it could be. Art and the imagination that gave
it life became my closest companions.
Before anyone was much interested in what I had to say,
they were interested in what I created. As a kid, I remember
sketching everything in sight. My parents and their friends
played cards and I began drawing them as a group, individual
faces and the like. Then I moved under the table and began
sketching their feet at which point I think everyone started
to worry. Even though they thought I was a bit weird, I got
attention and encouragement for my ``art'' at a young age.
While I was a poor student academically, I shined in sports
and in art and my third grade teacher was next to recognize
that art was a legitimate means of expression for me as I
struggled with more traditional approaches.
I remember she had me come to the front of the room and
draw a story on this big pad of newsprint on an easel. I
think we were studying English and she used it as a basis to
make a point. The whole class seemed to get it and all
learned a little about sentence structure and storytelling in
ways that engaged and made sense. I didn't know what ``it''
was that they got, but it sure felt good.
My teacher's encouragement of my artistic tendencies
continued, making me realize art. was something legitimate to
pursue and that it was integral to how I was finding my way
in this world and making sense of things. If not for this, I
may have taken a path that wasn't as fulfilling and
productive. That's the main reason I'm here, to pay tribute
to the work that so many of you do every day, to keep art
alive in schools and in communities all across the country.
Being in this hall tonight prompted me to remember some of
the writings of President John F. Kennedy. I became
reacquainted with a speech he gave in 1963 at Amherst College
where he paid tribute to the American poet Robert Frost, and
reflected on the value of the arts to a society. It was less
than a month before his assassination. ``I look forward to an
America which will reward achievement in the arts as we
reward achievement in business or statecraft. I look forward
to an America, which will steadily raise the standards of
artistic accomplishment and will steadily enlarge cultural
opportunities for all of our citizens.''--John F. Kennedy.
To me, art, in all its forms, is the purest reflection of
the most diverse aspects of us as individuals, as
communities, as nations and as cultures. It's art that feeds
and nurtures the soul of a society; provokes thought;
inspires critical thinking; and fosters understanding of
things foreign to our own immediate world. In the end, art
plays a primary role in encouraging healthy tolerance of
diversity in any culture. In times like these--in this very
hour--more of this kind of encouragement would serve us well.
Joseph Campbell felt that a society without mythology was
doomed. I feel the same way about the role that art can play
in a society's sustainable future. On the surface, it may not
have the weight of the SEC, the Dept. of Defense, or Social
Security and other programs that may be easier to quantify.
But it is still a part of the whole. More importantly, it
exemplifies one of our great, maybe our greatest critical
luxuries--freedom of expression.
Throughout the 80s and into the 90s, battles over free
expression were furious and frequent. On the one side, the
perception that art was undermining the moral fabric of our
society began to stick and took on a life of its own and it
became the order of the day. When the moralistic posturing
gave way to the rationale to cut funding, for a time it was
the political value of attacking the arts that increased
significantly in stature. By falsely positioning the debate
as one of morals and money, these forces hoped to use fear to
obscure the real truth--0the value of art to every
community--and fear is a very dangerous platform to work off
of.
I wondered then, why aren't they going after tabloid media
or corporate greed with such a vengeance? Why isn't there the
same fervor about the dismal state of literacy in our
schools, the AIDS epidemic, or homeless men, women and
children? Why is the zeal not pointed at the virtual flood of
guns and drugs into our nation's streets, or pollution into
our air and water and the resulting public health
implications? When has a painting ever instigated the
destruction of a culture? Is a song or a play, a painting or
a photograph that much of a threat to our nation's well
being? That notion seems particularly absurd in light of the
larger threats we are currently facing.
Luckily the collective voice against this trend won out,
and of course, the political winds changed substantially.
And, while the cultural wars may have subsided, they still
rear their ugly head too frequently. But there's more than
one way to strangle the arts and today, funding cuts being
discussed all across this country at all levels of government
could paint a truly devastating picture when all is said and
done.
As most of you know all too well, when the economy is in as
bad a shape as it is now, art becomes the ``throw-away.'' Art
and art education becomes the funding cut they feel won't
have a tangible effect. In other words, it's the cut from
which they think nobody will suffer and they think nobody
will notice its absence. Well that's not true. It may take a
while to get it, but society at large will suffer and I
believe, society at large will ultimately notice.
Government support for the arts is not the frivolous give-
away that some would have you believe. It's a good investment
and it is sound economic development. Art and public policy
is good business. Let's look at the financial stake
government has in the arts. The non-profit arts world is
roughly a $134 billion a year industry, employing millions.
It generates nearly $81 billion in spending by those who
partake in its cultural offerings and is responsible for some
$24 billion in taxes going back to federal, state and local
governments annually
And, this doesn't take into consideration the impact the
non-profit sector has as the training ground for writers,
musicians, actors, dancers, painters, photographers,
filmmakers and the like. It doesn't take into consideration
the ultimate effect these people and their work have on a
thriving multi-billion dollar private sector.
So, supporting the arts is good business and the numbers
bear this out. It's also good public policy. A study by the
Justice Dept., Americans for the Arts and the NEA
demonstrated that arts programs helped at-risk-youth stay out
of trouble, perform better in school and improve how they
felt about themselves and their future. How do you put a
price on that?
Yet, President Bush recommended virtually no increase for
arts grants administered by the NEA. President Bush also
recommended terminating funding of the Arts in Education
program, which is administered through the Dept. of
Education. State legislatures all across the country are
making substantial cuts. Several states proposed wiping out
their entire state budget for the arts.
Are these federal and state governments missing something
in turning their backs on the arts? You bet they are. We need
people in
office who will have a vision for our country that goes
beyond the next election. We need people in office who
understand that encouraging creative pursuit could be
critical to any number of sectors, from the next great
technological idea to the next historic medical discovery.
How do you put a price on that?
Creativity is made all the more special because it is a
great intangible. It can come from the most unlikely places
and from those that might not fit the ``traditional'' model
of the artist. Creativity is inherent in all great endeavors
whether traditionally artistic or not. It is creativity that
must continue to be nurtured if we hope to reap the benefits
of the many great minds we don't yet know. How do you put a
price on that?
Yes there are pressing needs all around us. But completely
ceasing to fund the arts is sadly shortsighted in any
economy. Governments have to find a way to remain in the mix
of resources for the arts and the private sector--
corporations, foundations and individuals--they all need to
find ways to help fill the gap during these tough times such
as we're in now.
And that includes my industry, which benefits greatly from
a vital and thriving artistic force. When one thinks of
Hollywood, art isn't necessarily the first thing to come to
mind. Some would say it is often anti-art. No. It's first a
business. But it is a business that cannot exist without
creative talent in every facet of the making of its product.
So, in the end, the challenge to create art still rests
squarely on the artist not the industry. As in any medium,
sometimes we succeed and sometimes we fail. But we succeed
often enough to create films that inspire, expose, transform
and provoke, amuse, entertain and even teach.
Just as all other arts did at the moment of their own
conception, cinema transformed the world. For good or for
bad, it is a universal communicator on a global platform.
Film is an indigenous American art form even though it's
always been a struggle to have it taken seriously as an art
form. But we can't deny that business has significantly
infiltrated the practice of art in general, and in particular
film. The constant talk of grosses--dollars and cents as the
benchmark of a film's worth--is very debilitating to the body
of serious film discussion and appreciation. And after all,
where would the business of film be without art as its seed.
While mine is a somewhat solid industry, it will be
important in the years to come for it to embrace risks as
readily as it does sure things. It must make sure that
freedom of artistic expression is honored and nurtured across
a broad spectrum. I believe strongly that keeping diversity
alive in my industry will keep the industry alive.
For example, the Sundance Institute is a step toward making
sure diverse voices and the creative energy they bring with
them are given an opportunity to grow and evolve. Those who
come to the Sundance labs to make films and those who come to
the Festival, to show films really are a microcosm of the
kind of diverse voices which our industry needs to continue
to support and nurture if it wants to maintain itself. They
are also the kind of voices that will join in characterizing
us to the rest of the world in the years to come. It's all
connected.
Even after two decades, Sundance continues to be a
community work in progress, success and failure
simultaneously evident, treating failure as a step toward
growth, rather than the destruction of a vision. I look at
the Sundance Film Festival and the innovative hustle
demonstrated by scores of young filmmakers to bring their
vision to the screen. They haven't curled up and died because
they can't get government backing for their projects. Somehow
they find a way. But I'm sure if I took a quick poll, I'd
find that most of them found art, found their voice, in
neighborhood, community and school arts programs. That's
where they began the dance with the wonders of creativity.
By the way, I started the Sundance Institute with a grant
from the NEA when many others were skeptical of the idea's
potential and ultimate worth. I will always be grateful to
the NEA for believing in us at the time. It was instrumental
in getting us started. It wasn't just the seed funding, but
the seal of approval that gave the idea impetus.
What most of you know that maybe others don't is that out
there right now is some kid with a great song in their head
we've yet to hear or a novel in their heart that has yet to
be written. There's someone out there that hasn't picked up a
paintbrush yet but has a masterpiece on the horizon. There's
a kid out there who hasn't picked up a camera yet but could
end up making a memorable film of their time.
What most of you know that others might not as clearly see,
is that the nurturing of creativity comes into play in
everything from world diplomacy to world economics, business
endeavors to social endeavors and everything in between. It
is creativity that gives all of it the nuance that often
makes the difference. In all its forms, art plays a critical
role in finding our way as people and as a culture.
As President Kennedy said that day in Amherst: ``I see
little more importance to the future of our country and our
civilization than full recognition of the place of the
artist. If art is to nourish the roots of our culture,
society must set the artist free to follow his vision
wherever it takes him.''
We hear the word freedom bandied about a lot these days.
It's a sacred concept. How fortunate we are to have it. How
viscerally we need to feel the commitment to protect it. To
be able to be part of a freedom of expression that allows us
to tell stories of our choice in the uniqueness of our own
voices as citizens and as artists is not to be taken lightly.
To be able to freely voice dissent in our hearts or in our
art is something to protect at all costs. But then, the glory
of art is that it can, not only survive change, it can
inspire change.
It is for all these reasons that it behooves governments to
sustain an environment that enables, supports and nurtures
the free and creative expression of its citizenry.
I have great hope for the future of art and thus civil
society as I look out over this room, and imagine the
collective power, the collective voice that will not cower in
the face of budget slashing critics, and will not surrender
its advocacy for art and free expression. My hope comes from
not only those gathered here tonight, but from the efforts of
grassroots, state and national organizations; young artists I
meet at Sundance film labs; inner-city elementary school kids
who are learning to play music and write poetry; the literary
and theater programs in prisons; and traveling exhibitions to
rural communities all across the country.
Thank you to the co-sponsors of this evening. To Americans
for the Arts my gratitude for your tireless and effective
advocacy on behalf of art and all that comes with that. You
truly make a difference and we're all the better for it. And
to the Film Foundation a recognition and respect for the
important work you do to inspire young artists through
education and for protecting and restoring some of the
greatest films of all time and thus enabling the diverse
perspective of it all to live on.
Lastly, it is an honor to pay tribute to the memory and the
contribution of Nancy Hanks whom I knew and remember fondly.
Nancy Hanks had a profoundly gifted perspective on cultural
policy in the United States, that being access to the
arts. Her legacy is the success of many of your programs;
the creative mastery of many of the artists here tonight;
and the commitment to freedom of expression that we
collectively embrace. The life she lived really meant
something.
So we go forth from here tonight to continue to try to
enlighten those who dismiss the arts as unnecessary,
irrelevant or dangerous. And we do so not only in the memory
of Nancy Hanks, but in the name of the active and deserving
imagination of every American child.