Mr. Speaker, I rise today to honor the legendary Celia Cruz, who passed away of cancer on July 16, 2003, at the age of 78. I join with the people of my district and other citizens of the global community in mourning the loss of the woman…
Mr. Speaker, I rise today to honor the legendary Celia Cruz, who passed away of cancer on July 16, 2003, at the age of 78.
I join with the people of my district and other citizens of the global community in mourning the loss of the woman who was rightly called ``La Reina de la Salsa.'' I recall fondly her solo and group performances with many musical greats, but in particular the ones with my late dear friend, Tito Puente. I recall most notably her performances at the John F. Kennedy Center in Washington, D.C. during the Americanos Festival and the Hispanic Heritage Awards.
Ms. Cruz changed the world through her voice, helping not only to establish modern salsa music but also set a bar of excellence for all performers, male and female. She rose from humble roots in Cuba to become a global citizen who's gift of song and dance extended beyond language through more than 70 albums that incorporated everything from mambo, to son, to modern reggae and hip-hop. Ms. Cruz's unique vocal abilities earned her hundreds of awards and honors, including a star on the Hollywood Walk of Fame and three honorary doctorates. Her talent earned her fans all over the world, serving to proudly uplift Latinos worldwide and helping to break down racial and gender barriers in unprecedented ways in music, politics and culture. Her grace and hard work kept her producing Grammy-winning albums until the very end of her life, challenging the perception that life, success and beauty stop at the certain age.
Our condolences naturally go out to her husband Pedro, who more than anyone knew the rare and precious jewel that we had among us. However, while she has departed this earthly plane, her legacy will live forever in the hearts and minds of those who cherished her work in present and the generations of those fans yet to be born.
I leave with my colleagues two articles written respectively by the New York Times' Jon Pareles and the Washington Post's Eugene Robinson. The article details Ms. Cruz's accomplishments and why life was always better with a little bit of ``Azucar!''
[From the New York Times, July 17, 2003]
Celia Cruz, Petite Powerhouse of Latin Music, Dies at 77
(By Jon Pareles)
Celia Cruz, the Cuban singer who became the queen of Latin
music, died yesterday at her home in Fort Lee, N.J. She was
77.
The cause was complications after surgery for a brain
tumor, said a spokeswoman, Blanca Lasalle.
Onstage, Ms. Cruz was a petite woman who wore tight,
glittering dresses and towering wigs, dancing in high heels
and belting songs that she punctuated with shouts of
``Azucar!'' (``Sugar!''). She was a vocal powerhouse, with a
tough, raspy voice that could ride the percussive attack of a
rumba or bring hard-won emotion to a lovelorn Cuban son.
``When people hear me sing,'' she said in an interview with
The New York Times, ``I want them to be happy, happy, happy.
I don't want them thinking about when there's not any money,
or when there's fighting at home. My message is always
felicidad--happiness.''
In a career that began in the 1940's, Ms. Cruz sang with
every major Latin bandleader and recorded more than 70
albums. She sang a full spectrum of Afro-Cuban music, from
the religious chants of santeria to mambos and cha-chas to
modern salsa. Yet unlike many of the Latin musicians in her
wake, she didn't court a crossover audience. She recorded in
Spanish, modestly saying that her English was not good
enough.
Ms. Cruz was born in Havana to a poor family, and she
regularly sang her brothers and sisters to sleep. She won a
radio talent contest after a cousin took her to the radio
station Garcia Serra; first prize was a cake. She went on to
study at the Havana Conservatory and to sing on radio
programs. In 1950, she joined La Sonora Matancera, Cuba's
most popular band. ``I wanted to be a mother, a teacher and a
housewife,'' she told The New York Times. ``But when I began
to sing with La Sonora Matancera, I thought, `This is my
chance, and I'm going to do it.'''
She toured with the group constantly, sometimes singing
five sets a day; they were also headliners at Havana's most
celebrated nightclub, the Tropicana, and performed on radio
and television. But in 1960, a year after Fidel Castro took
power in Cuba, she was touring Mexico with La Sonora
Matancera and decided not to return to Cuba. Years later,
Cuba refused permission for her to attend her father's
funeral.
Ms. Cruz moved to New York in 1961, and later to Fort Lee.
In 1962, she married Pedro Knight, a trumpeter from La Sonora
Matancera who became her musical director and manager. He
survives her, along with two sisters, Gladys Becquer and
Dolores Cruz.
In New York, she held on to her Cuban roots while adding
some of the city's Puerto Rican and later Dominican elements
to her music. She sang with Tito Puente's orchestra in the
1960's, a collaboration she periodically renewed through the
next decades, and in the 1970's she also sang with
bandleaders like Johnny Pacheco, Willie Colon and Ray
Barretto. She performed with the Fania All-Stars at Yankee
Stadium in 1975.
``Women are afraid to sing salsa,'' she once said. ``I
don't know why. Maybe they think it's for men.'' She added,
``But I think everybody can sing everything.''
She continued to modernize her music, working with Miami-
based producers like Willy Chirino and Emilio Estefan and
with Sergio George in New York, who produced her most recent
albums. She also collaborated with many of the musicians who
admired her, among them Luciano Pavarotti, Gloria Estefan,
David Byrne of Talking Heads and the Brazilian songwriter
Caetano Veloso.
In 1989, Ms. Cruz won a Grammy award for best tropical
Latin performance for an album in collaboration with Mr.
Barretto, ``Ritmo en el Corazon.'' In 1989, Yale University
awarded Ms. Cruz an honorary doctorate (alongside Stephen
Hawking), and in 1990 the main street of Little Havana in
Miami, Calle Ocho, added the name Celia Cruz Way. In 1994,
President Clinton gave her the National Medal of Arts. She
won the first Latin Grammy Award for best tropical album in
2000. Until last year, Ms. Cruz continued to perform and
record constantly on an international circuit that included
jazz festivals and arena concerts along with Latin clubs.
She had surgery for a brain tumor in December 2002, but in
February she returned to the studio to record an album,
``Regalo de Alma,'' that is due for release Aug. 5 on Sony
Discos. That same month, her 2002 album, ``La Negra Tiene
Tumbao,'' won the Grammy Award for best salsa album. In
March, the Telemundo network broadcast a live concert tribute
to Ms. Cruz, in which she performed alongside other Latin
stars, including Marc Anthony, to raise money for the Celia
Cruz Foundation for Hispanic students to study music. It will
give its first five grants on her birthday this year, Oct.
21.