Mr. Speaker, it is my privilege to place into the Record the words of Dexter Lehtinen, a reconnaissance platoon leader who was seriously wounded in the Vietnam War. After serving our country in Vietnam, Mr. Lehtinen graduated first in his…
Mr. Speaker, it is my privilege to place into the Record the words of Dexter Lehtinen, a reconnaissance platoon leader who was seriously wounded in the Vietnam War. After serving our country in Vietnam, Mr. Lehtinen graduated first in his class from Stanford Law School and went on to serve as a Florida State Senator and a United States Attorney for the Southern District of Florida.
On May 8, the world celebrated the 60th anniversary of V-E Day marking the end of the war in Europe. With ceremonies commemorating the Allies victory over tyranny, the day served as a reminder of the sacrifices made to this country by what many call our greatest generation.
In contrast to the fitting tribute paid to the World War II generation, Jane Fonda recently published a book ``My Life So Far.'' There, she expresses regret not for her visits to North Vietnam, her broadcasts on Radio Hanoi nor her cavalier description of our tortured POW's as ``hypocrites and liars,'' but only for being photographed in a North Vietnamese antiaircraft gun site.
Let us not forget how damaging her actions were to the POW's and combat troops in the field. I firmly believe in the First Amendment rights all American's cherish, but traveling to enemy soil to criticize our soldiers and airmen during the war is a reprehensible act not easily forgotten nor pardoned.
I urge my colleagues to read Mr. Lehtinen's article and never forget the sacrifices made by all veterans of this great nation.
[From the National Review, April 29, 2005]
Jane Fonda in Wonderland
non-apology not accepted
(By Dexter Lehtinen)
You may have heard that Jane Fonda apologized to Vietnam
veterans in her current book. That's incorrect. She expressed
``regret'' for one photograph, but remains proud of her Radio
Hanoi broadcasts, her efforts to achieve a Communist victory,
and her attacks on American servicemen as war criminals. She
never uses the word ``apology.''
Fonda's latest foray into her past--with her pseudo-apology
for having been photographed while sitting on a Communist
North Vietnamese anti-aircraft gun, along with her continued
vigorous defense of all other aspects of her trip to North
Vietnam and her support for the North Vietnamese and
Cambodian Communist wars--reminds us that apologies can be
very tricky things. An unqualified apology offered with
sincere regret for the full scope of the wrong by someone who
recognizes the harm inflicted on others can help in
reconciliation. But a ``pseudo-apology,'' offered with
limitations by someone who still defends the bulk of the
wrong, only serves to aggravate the injury.
Everyone knows the negative effects of the common pseudo-
apology, the refrain of which goes, ``I'm sorry if I offended
you.'' Pseudo-apologies attempt to subtly shift the blame to
the injured party, who apparently misunderstood the good
intentions of the offender.
So it is with Jane Fonda's book. In My Life So Far, ``Hanoi
Jane'' expresses ``regret'' for one thing--being photographed
with an anti-aircraft gun. ``I do not regret that I went. My
only regret about the trip was that I was photographed in a
North Vietnamese antiaircraft gun site.'' Fonda amplifies:
``That two minute lapse of sanity will haunt me until I
die.'' She is ``innocent of what the photo implies,'' but
``the photo exists, delivering its message, regardless of
what I was really doing or feeling.'' She makes it abundantly
clear, without apology or regret, that what she was ``really
doing'' was aiding the Communist enemy (who ``touch our
hearts''), and that what she was ``really feeling'' was that
U.S. aviators were war criminals.
The photograph is not Fonda's primary transgression. Of
course, the photo itself became the everlasting graphic proof
of her outrageous behavior. So in a way Fonda is right--in
practice, it is the photograph that reminds generations of
who Jane Fonda really is. In her ``regret,'' limited to the
photograph alone, Vietnam veterans see Fonda's endeavoring to
ameliorate the harm to herself with virtually no regard to
the harm she caused to others.
Hanoi Jane's wrongs go far beyond the photograph. First, of
course, are the facts that she joined the enemy gun crew at
all and made two visits to North Vietnam. Second, Fonda's
self-initiated broadcasts on Radio Hanoi accused Americans of
being war criminals. It was these broadcasts from the enemy's
capital (not the gun photo) that gave her the lasting handle
``Hanoi Jane'' in emulation of ``Tokyo Rose,'' an American
who broadcast Japanese propaganda in World War II. In her
self-proclaimed FTA (``F*** the Army'') rallies, she
claimed that personal atrocities ``were a way of life for
many of our military''.
Third, Fonda exploited American POWs for Communist gain,
asserting that the POWs were being treated humanely following
a Communist-controlled visit. In fact, the remarkable POWs
who showed any resistance to the Fonda visit were beaten
severely and she betrayed the POWs by falsely claiming that
they expressed ``disgust'' and ``shame'' over what they had
done. When the returning POWs reported their torture, showing
their broken bodies as proof, Fonda called them ``hypocrites
and liars.'' She claims in her book that she was ``framed.''
Fourth, Fonda ignored the non-Communist Vietnamese and
Cambodians who resisted the Vietnamese Communists and the
Cambodian Khmer Rouge, showing no concern for their fate.
Fonda continued to support the Communists against indigenous
non-Communists even after American withdrawal. She was not
``anti-war''; she was ``pro-war''--for a Communist victory.
She was not even ``anti-atrocity'' per se, remaining silent
on Communist executions of Vietnamese and Cambodian civilians
(such as the 3,000 slaughtered with their hands tied in Hue
in 1968, or the final tragedy following Communist victories
in 1975).
Fonda's hopes for a Communist victory in South Vietnam and
Cambodia were fulfilled. But her hopes for fame as an
instrument of Communist achievements have been dashed on the
rocks of reality--the truth about Communist malevolence and
disregard for human dignity; the truth about the commitment
by most American soldiers to honorable behavior; the truth
about the torture and murder of American POWs. Now her
efforts to promote commercial gain through a limited pseudo-
apology, which is simultaneously withdrawn by a less visible
(yet explicit) defense of her transgressions, will fail on
the same rocks of reality.
Jane Fonda has always lived in a kind of Wonderland--where
American POWs are liars and Communist tyrants are honorable
men. Now she says that ``the U.S. loss represented our
nation's chance for redemption'' and that the Communist
victory ``symbolizes hope for the planet.'' Her latest foray
into the Vietnam War only shows that, unlike Alice, Jane
Fonda has yet to emerge from Wonderland.