Mr. Speaker, today marks the anniversary of the Battle of San Jacinto, the victory of the independence for Texas, and the greatest, most diverse State in our Union. Proving its timeless value as a story of political struggle and personal…
Mr. Speaker, today marks the anniversary of the Battle of San Jacinto, the victory of the independence for Texas, and the greatest, most diverse State in our Union.
Proving its timeless value as a story of political struggle and personal heroism, the Battle of the Alamo has been made into another feature-length motion picture, ``The Alamo,'' by Disney, not doing as well at the box offices we have, but I bet you it is doing well in Texas.
I encourage all Americans to learn and relearn this important historical story.
On this day I want to enter into the Congressional Record two newspaper articles from the Baytown Sun and the Pasadena Citizen that are newspapers in my district regarding the tremendous devotion and expertise of the San Jacinto reenactors, many of whom are my constituents. These folks have committed tremendous amounts of time and resources to providing an educational service to our community, and some of these reenactors have gone so far as mastering the original Mexican Army drills in the original Spanish, and many were involved in the production of the Disney film ``The Alamo'' as consultants and extras.
The story of San Jacinto occurs less than 60 days after the fall of the Alamo. On April 21, 1836, exactly 168 years ago today, approximately 900 Texans and Tejanos of the Texan Army overpowered a large and better trained Mexican Army. I say Texans and Tejanos because the struggle for Texas independence was not between Anglos and Hispanics.
For example, noted Tejano patriot Captain Juan Seguin commanded a cavalry company during the final victory at San Jacinto and later became a senator in the Republic of Texas. For those people that have seen the movie ``The Alamo,'' they will remember he was sent out from the Alamo seeking reenforcements and against his wishes was told to stay away so he could live to fight another day at San Jacinto.
One of the main proponents of the Texas Revolution was Lorenzo de Zavala, who served in the Mexican Government until the military dictator General Antonio Lopez de Santa Anna abolished the Mexican Constitution of 1824. Zavala, a former Mexican citizen, went on to become the first Vice President of the Republic of Texas.
Less than 100 years after American patriots threw off the tyrannical British Empire's military domination, Texans and Tejanos succeeded in a similar struggle against a military dictator, General Santa Anna. In the words of the Texas Declaration of Independence, the people's government had been ``forcibly changed without their consent from a restrictive Federal republic, composed of sovereign states, to a consolidated military despotism.''
As Sam Houston and other Texas delegates signed the Texas declaration of independence, General Santa Anna's army was besieging the Texans and Tejanos at the Alamo in San Antonio. The Alamo fell on the morning of March 6, 1836, when Lieutenant Colonel William Barrett Travis, former Tennessee Congressman David Crockett, and approximately 200 other Texans and Tejano defenders were killed in action.
The Mexican Army was full of confidence after their hard-fought victory at the Alamo, and Texan forces were in retreat, but in late April 1836 they chose not to flee to the safety of Louisiana and instead turned to fight on the banks of the bayous outside of Houston, Texas. In fact, the San Jacinto battleground is in the new congressional district that I am receiving.
On the afternoon of April 21, 1836, the two armies were camped near one another, but the Mexican Army, confident of its superiority, failed to post guards during their afternoon siesta. They underestimated the determination of the Texan army in its fight for an independent nation and were totally unprepared for the surprise attack. As a result, the nation, and then the State of Texas, was born. Like the American Revolution, the Texan Revolution brought many different people together fighting military oppression.
A misconception of the Texas war for independence is that the conflict was a case of Anglos versus Hispanics. But accurate Texas history tells us that Hispanics who had long lived in Texas mostly did not refer to themselves as Mexicans, but instead thought of themselves as Tejanos. Tejanos inhabited Texas long before Mexico existed, and they lived there for the same reason Anglos later moved there, for freedom and productive land.
Many folks were happy under Mexican rule until General Santa Anna's forces began plundering areas of Texas, and then Tejanos and Texans both reacted with revolution.
It is inspiring to me that many Tejanos joined the fight for independence when the Mexican Government became an exploitive military regime. The brotherhood of freedom can be stronger than the brotherhood of nationality, as Tejanos proved at Gonzalez, Bexar, Goliad, the Alamo, and also along the banks of the San Jacinto River, and in this the government of the Republic of Texas.
Like the American patriots in 1776, Texans did not create a perfect State with their independence. It would not be until June 19, or Juneteenth, 1865, that Texas' African American citizens achieved the freedom that is an inalienable human right. Every Juneteenth we remember that struggle for equal rights is long and difficult, and demands our own enduring commitment.
On San Jacinto Day we celebrate the achievements of Texan and Tejano patriots, and renew our commitment to preserving our represented government, freedom, and human civil rights.
Mr. Speaker, at this point I will include for the Record the two newspaper articles that I previously mentioned.
[From the Baytown Sun, Apr. 7, 2004]
Re-Enacting History
(By Carla Rabalais)
```Let me die in the Alamo. Just let me get shot in there,'
I pleaded. But I was a Mexican officer, and no Mexican
soldier died inside the Alamo.''
Don Herlitz is a Baytonian, but most of all he is Texan, or
Texian, or Mexican captain, depending on the year in which
he's operating.
Re-enactors aren't strapped to the same calendar that most
of us are. They have the privilege of operating in both the
past and the present and with Disney's ``The Alamo,'' set for
release Friday, local re-enactors like Herlitz will also have
a presence in the future.
The film stars Dennis Quaid, Billy Bob Thornton and Jason
Patric. Already this week three sneak previews have unfurled
in Houston.
Crowds who lined up for those free seats were greeted by
local reenactors ready and willing to talk about their acting
experience and field expertise . . . locals like Herlitz and
his wife, Marie, Pete Juarez, Allen Hutton, Clabert Menard of
Dayton and David Pomeroy of Pasadena.
``That's what we do,'' Marie said. ``We talk to people
about Texas history and we show them what it looked like.''
The re-enactment window reveals all history's facts, from
the mundane to the explosive, like period clothing, hand-sewn
with home-spun cotton; cooking styles, with no electricity,
gas or running water; toys and games, which often doubled as
useful equipment; and weaponry, including home-fashioned
muskets, gunpowder and knives. The common denominator in
every category is ``authentic.''
Mexican artillery is one of Herlitz's specialties. He has
re-enacted Texas history for almost 20 years, but for the
past seven has portrayed a 19th century Mexican soldier. In
the Alamo, that expertise earned him an officer's role in
Santa Anna's army.
``Many of the re-enactors played both sides during the
movie,'' Herlitz said. ``I really wanted to--I even brought
my Texian clothes with me--but they wouldn't let me switch.
``That's all right, though,'' he laughed. ``After seven
years of shooting at Davy (Crockett), I finally got to die
beside him in the next film.''
``The Alamo'' united many reenactors, but that
battleground wasn't their first time together and it
certainly wasn't their last. In fact, since ``The Alamo''
completed filming last year, some reenactors have
participated in two additional films, including the one
Herlitz named. That film is ``Remember the Alamo,'' a
documentary that aired on the history Channel this spring.
David Pomeroy served as a site resource, re-enactor, and
cook--along with his wife, Cait--for the two hour
documentary. The business manager of Pomeroy Energy
volunteers his time and knowledge for of the San Jacinto
Battleground Association and is the author of ``Pasadena: The
Early Years.''
``There are eyewitness accounts and there are myths that
enhance the Alamo story,'' he said, ``and in some cases the
two contradict. The documentary addresses those historical
issues.''
Contradictory accounts of the Alamo were not the only
issues re-enactors face as they re-create turning point
battles in Texas history. To accurately re-enact, they had to
study history from multiple sources, not just American ones.
In their study, they came face-to-face with facts they never
were taught in grade school.
``The Alamo is a boiling pot of ideas and views,'' and
Herlitz, ``You can't just go by what a history book said,
because it's tainted by political attitudes. `The Alamo' is a
lot broader story and I think those issues will come out more
in the director's cut of `The Alamo' '' DVD.
``You see, those men on the inside of the Alamo were
trying to create a new republic, and the men on the outside
were trying to preserve a young republic. Who the heroes are
just depends which side of the wall you're standing on,'' he
said.
Allen Hutton of Baytown agrees. The pyrotechnician has re-
enacted since he was 12 years old and has worked in the
entertainment industry with movies like ``American Outlaws''
and ``the Patriot''. In ``The Alamo,'' he portrays both a
Mexican first sergeant and a Texian first sergeant.
``As a kid I learned the Alamo was about big, mean, mad
Santa Anna against the poor innocent Texians,'' he said.
``But the Mexicans weren't just `bad guys,' they were
protecting their country's land. Think of it in modern terms:
What would we do if some of Saddam Hussein's guard came here
and settled in a town and then said, `This is our land now
and you can't control us'?
``I don't want in any way to minimize the sacrifices made
by the Texians, but the Mexicans had a side too,'' he said.
Herlitz and Hutton filled similar roles in ``The Alamo''.
Both were involved in the movie a year before actual filming
took place and both were Mexican officers who trained
hundreds of extras during three-day boot camps.
Herlitz and his wife spent six months camping in a canvas
tent, cooking on an open fire, near Dripping Springs, where
the movie was filmed. Hutton camped on the set for five
months while his wife stayed in Baytown preparing for the
birth of their first child.
As Mexican officers, the two Baytonians were required to
learn maneuvers from an 1830s military guide written in
Spanish. Not modern Spanish, not Castilian Spanish, but a
colonial Spanish that is now obsolete. Or almost obsolete.
An extra who had come from New Mexico recognized the
language. His native dialect is a preserved form of colonial
Spanish, so he translated the book for the actors and
trainers. The drills Herlitz and Hutton learned became
second-nature to them.
``I can still tell you the (gun-) loading procedure in
proper Spanish,'' said Hutton.
During boot camp, they trained hundreds of extras. One of
those was Clabert Menard of Dayton, who was singled out for
the Texian side as an expert marksman.
``I ended up helping to train about 40 guys under me,''
Menard said. ``The more experienced re-enactors they put next
to the stars and told us to keep the other guys from running
in front of them.''
Menard, like many of his peers, has re-enacted since his
teens. He has represented many characters in his historical
career, including World War II soldiers, a French and Indian
trader and a Texas Army scout.
``I just want to eat, drink and sleep history,'' he said.
``We can replicate anything, except the fear of death.''
One of his favorite activities is to spend weekends hiking
15 to 20 miles into the Texas wilderness with nothing but his
1820s era gear. He used those items in ``The Alamo'' as well,
including two of his homemade weapons, a flintlock musket and
French pistol.
``I knew I could depend on my own gear,'' he said.
The boot camp involved marching drills and training
stations for learning stunt-fighting, horseback riding,
ladder manipulation, artillery use and firing orders. The
extras weren't the only ones who grew accustomed to the
orders, said Herlitz.
``The horses learned what the word `Action!' meant, so
whenever they heard it, whether they were supposed to move or
not, they took off,'' he said. ``So we had to have new
commands for starting the filming, like `Go!' or eventually,
`G-o!' ''
Herlitz and Hutton recall one moment in their six month
experience on ``The Alamo'' set that gripped both their
memories.
The film's director, John Lee Hancock of Texas City, had
been filming the Mexican siege on the Alamo for several
nights. But he held back the final attack where the wall
would be scaled and the Texian army killed. That would be
filmed on the exact anniversary of its occurrence, March 6,
at 5:30 a.m.
The actors filmed through the night March 5 and into the
next morning's hours. But moments before the final siege, the
entire set observed 13 minutes of complete silence, one
minute for each day of the Alamo siege, in memory of those
who lost their lives, both Texian and Mexican. Then at 5:30
a.m., the storming began.
``Whatever hardships we had to deal with during the filming
were all worth it right then,'' said Herlitz. ``To be a part
of that moment was something I will always remember.''
``When I do a job, I don't go to seek fame or rub shoulders
with stars,'' said Hutton. ``It's just a job and you
concentrate on doing it well. But that moment brought it all
together. That was as close as I will ever come to
experiencing the reality of the Alamo.
``Many of our guys were moved to tears. They were on the
Mexican side, and they saw it, too, as part of their
heritage.''
Local re-enactors who participated in ``The Alamo'' and
other living history events hope that the new movie will have
a ripple of positive effects through our state and nation.
``I hope it will get more people excited about history,''
said David Pomeroy. ``Then historical venues will have more
response and in turn receive more educational funding.''
``It's all for the kids,'' said Herlitz. ``As a re-enactor,
I believe children don't understand what price was paid for
freedom. The fertilizer to the tree of liberty is the blood
of the patriots. Someone has to be willing to put their life
on the line--for you to have the freedom to go downtown and
buy a $200 pair of tennis shoes. The Alamo is an excellent
example of the price people were willing to give--the
ultimate sacrifice.''
Some children are understanding that concept.
``I never really thought about the Alamo, but when I saw
the actual building and stood inside it, it was neat,'' said
fourth-grader Cody Fisher. ``A bunch of people were lost
there fighting for what they believed in.''
``There were brothers fighting each other, and whole
families coming apart,'' added Cassie Perez, also a fourth
grader. ``They wanted freedom.''
``I think if I had lived back then, and I was a little bit
older,'' said Cody, ``I think I would have fought for the
Alamo.''
David Pomeroy encourages families to ``See the movie, then
come smell the smoke.''
On April 24, a re-enactment of the battle of San Jacinto
will be held at the San Jacinto Battleground State Historical
Park. This year the re-enactment will be accompanied by a
living history festival. Local re-enactors from ``The Alamo''
will be onsite to autograph photos and talk about their
filming experience. Festival hours will be from 10
a.m. to 6 p.m. with the battle re-enactment at 3:30 p.m.