Department Of The Interior, Environment, And Related Agencies Appropriations Act, 2006
Madam Chairman, I offer several amendments, and I ask unanimous consent they be considered en bloc. Madam Chairman, I yield myself such time as I may consume. Madam Chairman, I rise to offer an amendment that will redress a grievous act…
Madam Chairman, I offer several amendments, and I ask unanimous consent they be considered en bloc.
Madam Chairman, I yield myself such time as I may consume.
Madam Chairman, I rise to offer an amendment that will redress a grievous act that was perpetrated, without our knowledge, on a majority of this great body.
Last year, with a resounding vote of 241 Members, the House voted an increase for our Federal arts agency that
we knew would pay us back many times over, both in hard dollars and in ways that are simply incalculable for the people we represent.
The actual amounts were small, an increase of $10 million for the National Endowment for the Arts and $3.5 million for the National Endowment for the Humanities.
But the loss was great. After conferees met for the omnibus funding bill, NEA, incredibly, received just several hundred thousand dollars, and NEH received less than $3 million.
Not only was the will of this great body thwarted, but also the creative activities of our artistic constituents in every congressional district in this country were stifled.
Grants were not made and those grants were not matched. Works were not created. Performances did not happen. Audiences did not gather. Minds were not enlightened, souls were not fed; and the small businesses that depend on the nonprofit arts community did not profit.
Finally, the funds that should have been returned to the Federal Treasury in the form of tax receipts, many times over the original amounts, never arrived. It was a lose-lose situation for everyone involved: the artists, the audiences, our communities, and our small businesses, as well as our local, State, and Federal treasuries.
By all rights, I should be standing here asking my colleagues not just to restore the moneys that we voted for last year, but to double them. If our Federal deficit were not so huge and our budgets so tight, believe me, I would be doing just that.
Instead, I ask you simply to put these Federal art agencies back in business where we funded them last year, with an increase of $10 million for NEA and $5 million for NEH.
The President's own budget request for NEA was telling. In it, even as he suggested level funding for the agency, he asked that American Masterpieces, a majestic program that emphasizes the best of American art, should be increased by $6.5 million.
President Bush was rightfully enthusiastic about that program. It is an increase that I personally applaud. But unless we provide an overall increase for NEA, the money is slated to come from Challenge America, a highly popular program that supported artists in more than 99 percent of our congressional districts last year.
That is not a good idea. Challenge America grants go to the towns and hamlets of this sprawling country, where big touring companies will rarely go, and major actors, actresses, writers and artists may never appear in person. For example, last year Challenge American grants went to Aliceville, Alabama and to Bainbridge Island, Washington; to Red Wing, Minnesota and Lucas, Kansas. They energized audiences in Texarkana, Texas and Locust Grove, Arkansas, and spellbound art-hungry folks in Albany, Georgia and Billings, Montana.
We can and should do both: increase American Masterpieces as the President wishes, and continue to challenge the artists and their audiences in our congressional districts by funding Challenge America.
Madam Chairman, $10 million will ensure that the program will prosper and grow, with Chairman Gioia using up to 10 percent of the money to ensure effective administration of this fine program. And $5 million will enhance NEH's We the People, which promotes the teaching and understanding of American history.
But let me remind my colleagues, even with these increases, we are far from providing the agencies with the funds they received in the mid-1990s. As you see from the first chart, NEA is currently funded at $121 million, but received $176 million in 1992. And NEH is funded at $138 million, while it received $175.5 million in 1994.
Why is it so important to rebuild the funding for these agencies? Well, every year I stand here and remind you what an economic powerhouse the nonprofit arts industry has become in American. As this second chart proves, it produces over $134 billion annually. I do not know of any other investment we make that does that. Please note it returns $10.5 billion to the Federal Treasury.
In these difficult financial times for so many of our districts, as our local leaders strive to balance their budgets by cutting services, we would be irresponsible not to invest in the arts. While other industries have suffered, the nonprofit arts world continues to build in strength while it encourages the growth of innumerable small businesses on its periphery, thereby creating more jobs.
This third chart may surprise Members. It demonstrates the financial muscle of the arts industry, which has produced far more jobs than all of America's farmers, programmers, doctors, lawyers, or accountants. This is an amazing chart.
In fact, while the national economy has grown at a rate of 3.8 percent, the arts have far out-distanced that number by expanding at a rate of 5.5 percent.
And all of that said, I also stand before you at this time, every year, to remind us all of the stunning gifts American artists make to our daily lives. Their creative force not only helps our children learn but also makes them smarter. It brightens the life of each one of us, bringing us joy and comfort, enlightenment and understanding, in ways impossible to find otherwise.
The arts and artists of America are our national treasure, which this great Nation needs, deserves, and must support as other nations do.
For these reasons, I urge Members to vote for the Slaughter/Shays/ Dicks/Leach/Price amendment, and thank my colleagues who have joined me today.
Madam Chairman, I reserve the balance of my time.
Madam Chairman, I yield 2 minutes to the gentleman from Washington (Mr. Dicks).
Madam Chairman, I yield 2 minutes to the gentleman from North Carolina (Mr. Price).
(Mr. PRICE of North Carolina asked and was given permission to revise and extend his remarks.)
Madam Chairman, I yield for the purpose of a unanimous consent request to the gentleman from New Jersey (Mr. Holt).
(Mr. HOLT asked and was given permission to revise and extend his remarks.)
Madam Chairman, I yield for the purpose of a unanimous consent request to the gentleman from Illinois (Mr. Davis).
(Mr. DAVIS of Illinois asked and was given permission to revise and extend his remarks.)
Madam Chairman, I yield for the purpose of a unanimous consent request to the gentleman from New Mexico (Mr. Udall).
(Mr. UDALL of New Mexico asked and was given permission to revise and extend his remarks.)
Madam Chairman, I yield for the purpose of a unanimous consent request to the gentleman from Oregon (Mr. Wu).
(Mr. WU asked and was given permission to revise and extend his remarks.)
Madam Chairman, I am pleased to yield the balance of my time to the gentleman from New York (Mr. Nadler).