Mr. Speaker, I thank the gentleman for yielding me this time. First, I would like to thank the gentlewoman from California (Leader Pelosi) and the gentleman from Texas (Leader DeLay) and the members of the Committee on Government Reform;…
Mr. Speaker, I thank the gentleman for yielding me this time. First, I would like to thank the gentlewoman from California (Leader Pelosi) and the gentleman from Texas (Leader DeLay) and the members of the Committee on Government Reform; the gentleman from Virginia (Chairman Tom Davis), the gentleman from California (Ranking Member Waxman), my good friend, the gentleman from Illinois (Mr. Davis), as well as their staffs, for helping to move this important resolution, H. Res. 69, to the floor as quickly as they did. Let me also thank the gentleman from Georgia (Mr. Kingston), who represents Georgia's first district which includes the town of Cogdell, Georgia, the birth place of Ossie Davis and, Waycross, Georgia, where Mr. Davis grew up, for his cosponsorship and for his efforts to bring this resolution to the floor in short order. Also, I thank my colleague, the gentleman from Georgia (Mr. Westmoreland), for his efforts and his activity in helping to honor this great Georgian.
We are here today to honor a great American, a veteran, a civil rights leader, a social justice activist, and a tremendous talent, Mr. Ossie Davis. We lost him this past Friday, February 4, at the age of 87.
Ossie once said, ``Struggle is strengthening. Battling with evil gives us the power to battle evil even more.'' Empowered and inspired by his own struggle, Ossie fought for what was right. He fought with his voice, with his example, with his art.
Above all, Ossie Davis was an artist. The eldest of five children, Ossie Davis
grew up with the gruesome realities of lynchings and the Ku Klux Klan, yet he was inspired by Shakespeare. At the age of 18 with nothing more than a $10 bill and the dream of becoming a playwright, Ossie Davis hitchhiked from rural Georgia to Washington, D.C., where he studied at Howard University. He left school 3 years later only to live his dream of becoming a writer and an actor with the Rose McClendon Players in Harlem in 1939.
His acting career was interrupted in World War II when the Army sent him to Liberia, where he served at the Army's first black station hospital before being transferred to Special Services to write and produce stage shows for the troops.
He returned to the States committed to the power of art and its capacity to make viewers more human, to teach them to live.
He was a trailblazer for African Americans on stage. He debuted on Broadway in 1946 in ``Jeb,'' and while the show ran for only 9 days, it was during that production that he met his wife, actress Ruby Dee. I would be negligent if I did not recognize and highlight the importance of this event as it inspired the marriage of one of the most revered and important couples ever to appear on stage and screen.
Ossie appeared in dozens of TV programs and more than 30 films, beginning with the 1950's ``No Way Out,'' with Dee and Sidney Poitier, and culminating with last year's ``She Hate Me.'' As a playwright, he was most famous for the 1961's controversial send-up of racial stereotypes, ``Purlie Victorious,'' a production which would inspire his relationship with Malcolm X.
Believing that art and activism can go hand-in-hand, Ossie Davis never shied away from roles that took on the status quo. Rather, he sought them out on stage and in life.
When singer-actor Paul Robeson was targeted by the anti-Communist witch-hunts of the 1950s, Ossie Davis and Ruby Dee were steadfast in their support even as they were blacklisted themselves. They were brave.
They were at the forefront of the 1963 March on Washington, and when their friend Malcolm X was assassinated, Davis delivered a moving eulogy for the controversial leader, whom he praised as ``our own black shining prince'' and ``our living black manhood,'' words that at the time took courage to deliver.
Ossie Davis and Ruby Dee raised their voices for numerous causes, including support for the United Negro College Fund and vocal opposition to the war in Vietnam. But above all, Ossie Davis was an artist, his roles ultimately too numerous to count, yet all were memorable; and we take comfort that he left this world doing what he loved.
As Spike Lee said, ``For an actor, if you've got to go, that's the way to go out, still working, still ready to go.''
I know that my colleagues will now join me in recognizing the tremendous achievements and body of work that Ossie Davis has left as his legacy. Our sincerest condolences go out his family and all who knew and loved him.
But this is why we today in the United States House of Representatives join in consideration of H. Res. 69, which recognizes the extraordinary contributions to the Nation of the late Ossie Davis, for his service to the Nation in the military, as a civil rights leader and as an actor, and honors him as a great American and pioneer in the annals of American history, and expresses its deepest condolences upon his death to his wife, Ruby Dee Davis, his other family members and all of his friends and fans across the world.
Thank you, Ossie. We will miss you.